Wednesday, August 29, 2018

Lead blogger sign up sheet for 1:30 course

Post the week you want, along with the address of your blog, in the comments section of this post.n Spots are distributed on a first-come, first-served basis.

Lead blog posts are due the Friday of the week before we discuss them.

September 7: Alyssa (alyssacomedyblog.blogspot.com)

Sept 14: Sonali (sonalijpatel.blogspot.com)

Sept. 21: Ryan (rwcomedyblog.blogspot.com)

Sept. 28: Will (wwagnerfyw.wordpress.com)

Oct. 5: Caroline (carolinecomedyblog.blogspot.com)

Oct. 12: Madelyn (Madelynfyw.blogspot.com)

Oct. 19: Ellery (ellerysblogfyw.blogspot.com)

Oct. 26: Trace (tracesfyw.blogspot.com)

Nov. 2: Kyndal (kandersoncomedy.blogspot.com)

Nov. 9: Hill (hilldouglasfyw.blogspot.com)

Nov. 23: Catherine (catherinescomedyblog.blogspot.com)

Nov. 30: Ashly (ashlyscomedy.wordpress.com)

Tuesday, August 28, 2018

Welcome! Here is our course schedule, updated in real time.

After the first few weeks, the assignment for each Wednesday also includes reading and responding to the lead blogger, and the assignment for each Friday includes reading and commenting on your peers’ blogs. From time to time I may move readings around or replace them to more closely coincide with the class’s current interests. Watch this blog for these updates. All schedule changes will be posted here. I will only update the Moodle syllabus in the rare event of a course policy change. Although I will try to post an updated version of the schedule online as quickly as possible, you are responsible for all changes announced in class.




Course schedule:

Week 1: Introductions
M: August 26

W 28: Introduction.

Other activities: Start blog

F 30: Watch: Monty Python, Argument Clinic sketch.

Read: “Theories of Humor" and Nancy Sommers, Revision Strategies

Other activities: Start blog, email me the link, and select a date to serve as lead blogger. Post your first blog entry on the best piece of comedy you’ve seen recently (post the link or describe it), and whether you feel the reading helps you understand the work or its ideas.

Week 2 – Superiority, Incongruity, Relief: Theories of the Comic
M Sep. 2: Labor Day. No Class.

W 4: Read: Lippitt

Other activities: Write a blog post on which account you find most persuasive, and use another example of comedy to illustrate your claims. Do the theories just describe different types of comedy, or does one get closer to the essence (and why aren’t all examples of incongruity, superiority, or relief funny?)

F Sep. 6: Read: Lippitt

Week 3 – Peer Editing
M 9: Read Lippitt.

W 11: Blog discussion

Other activities: Post your response to the lead blogger’s post for all Wednesday classes. We will usually discuss the lead blog and the piece of comedy it analyzes on Wednesdays. We will also usually discuss some shorter readings to guide our discussion.

F 13: Read McGraw and Warner.

Other activities: Read each other’s posts and leave comments for each Friday class. Fridays we will continue our discussions of your blogs, focusing on your responses to each other. Highlighting the work of classmates during our discussion is an excellent way to participate. We will also use Fridays for activities such as peer editing or discussing an additional reading or a film.

Week 4 – Comedy and Politics
M 16: Read: “Waiting for the Conservative Jon Stewart.”

W 18: Blog discussion

F 20: Bring rough draft for peer editing.

Week 5 – When are We “Just Joking”?
M 23: Read: This Article on Trump’s Humor

W 25: Blog discussion

F 27: Paper 1 due. Writing workshop or possible library day.

Week 6 – Incongruity Theory’s Founding Father
M Sept. 30: Read: Hutcheson, “Thoughts on Laughter”

W 2: Blog discussion

F 4: Writing workshop or other activity TBA.

Week 7 – Great Job
M Oct. 7: Reading/Viewing TBA or Possible library day

W 9: Blog Discussion

F 11: Bring rough draft for peer editing.

Week 8 – All Your Breaks are Belong to Us
M 14: Fall break. No class.

W 16: Blog discussion

F 18: Paper 2 due. Writing workshop or library day.

Week 9 – Genres: Irony and Satire
M 21: Read The Irony of Satire

W 23: Blog discussion

F 25: Writing workshop or other activity TBA.

Week 10 – Comedy and Tragedy
M 28: Read: Zupancic

W 30: Blog discussion

F Nov. 1: Bring rough draft of paper 3.

Week 11 – We Live in a Society
M 4: Read Article on Gang Weed

W 6: Blog discussion

F 8: Paper 3 due. Writing workshop or other activity TBA.

Week 12 – Throwing Your Old Car Battery Into the Ocean
M 11: Read article on Tide Pod Memes and Article on Millennial Humor

W 13: Blog discussion

F 15: Bring Rough Draft of Paper

Week 13 – It’s Free Real Estate
M 18: Read: Article on Meme Warand Article on Memes and Politics

W 20: Blog Discussion

F 22: Bring rough draft of paper.

Week 14 – Wait for it…
M 25: Read: Article on Memes and Dadaism

W 27: Thanksgiving break

F 29: Thanksgiving break

Week 15 – Recovering from Steamed hams
M Dec. 2: Read: Zupancic

W 4: Bring draft.

F Dec. 6: Bring draft.

Week 16 – Press F
M 9: Last class.

W 11: Study day.

F 13: Final exams.

Monday, September 19, 2016

Paper 2: Details and debates

For the first paper, we practiced emulating one of the central features of academic writing: its narrow, specific, and tight focus. For this second paper, we will keep that level of specificity, but also employ research to connect our claims to the work of other scholars studying the same topic. As with the last paper, you can select any class text as the basis for your analysis, and you are also free to explore other topics of interest to you. The most important thing, again, is not what you write about, but how you write, and by focusing in on a precise detail or aspect of whatever text, film, clip, or other phenomenon you are exploring, you will ensure that your writing keeps this narrow and focused quality.

For this paper, you will again pick a significant detail and focus on explaining its importance. This time, however, you will also add in research to help develop your claims by building them on the views of others. Instead of thinking about research as the process of finding information, we will instead think of it as a process for locating and entering an ongoing scholarly dialogue, conversation, or exchange of ideas. By clearly defining who you are talking to and why you are talking to them, scholarly research helps to focus your writing and to clarify its significance. In addition to finding out facts, academic research helps organize such information into distinct arguments with a defined relationship to one another, thereby clarifying what information is useful and what information is extraneous.

For this assignment, do not think of yourself as simply trying to disprove other scholars or contradict their work. Your claim, rather, should simply situate your topic within an existing conversation, and even when you are exploring a point of disagreement make sure to concede the strengths of other positions and use these strengths to help develop your own views. See disagreement as a way to add specificity and focus to the position you are arguing, not simply as a way to refute or disprove other viewpoints. Be positive and productive: show how the conversations help make sense of what you are studying, and show how your topic contributes and extends existing conversations. Remember the lesson of Monty Python: mere contradiction is not argumentation. Instead, think of yourself as very modestly using the work of others to amplify your claims and help establish why they are significant by clarifying whom you are speaking to and why.

This paper should be 3-4 pages long, typed, double-spaced, in Times New Roman 12 inch font with 1 inch margins. You should include at least 1 scholarly article, but you can use as many as are necessary. You are also free to use non-peer reviewed sources from quality publications such as those found through the library databases, but this is not a requirement. Bring a rough draft for peer editing Friday, October 7. The paper is due Friday, October 14 by the start of class.

Sunday, August 28, 2016

Essay 1 - Comedy, detail, and focus

In this initial paper we will practice the first crucial feature of academic writing to master: focus. For the assignment, pick a specific reading from class, or another work that discusses or presents comedy, and locate a significant detail: an element that seems important but whose significance you cannot initially fully explain. In a three page essay, offer an explicit account of why you think this detail is important. The most important thing for this essay is that you remain focused on the detail and your account of it. Support your claims with concrete features of the work. While you can discuss other relevant aspects of the work, the most important thing is that you remain focused on demonstrating the significance of your detail throughout the course of the paper.

Your paper should feature a strong, refutable, significant thesis. The thesis should possess all of the components we've discussed in class (clear topic; focusing question; central claim; a connection to and role in a larger debate or conversation; clearly defined key concepts; organized evidence; and a strong sense of significance).You can approach the assignment using either of the two types of comedy analysis we have discussed: dissecting the work as a piece of comedy by using some of the theories we have read; or showing what the comedy itself reveals or demonstrates about its own subject matter. Be as specific as you can in posing your questions. Instead of trying to show, for example, which theory of comedy explains why the work is funny, instead focus on mapping all the features of incongruity theory onto one moment: what are the two ideas contrasted, how are they contrasted, and what does this contrast show? Instead of arguing that a piece of comedy mocks hypocrisy, again, be very focused: map out in explicit terms what the character appears to be, what he or she really is, and what the significance of this deception is.

You may write about the novel we are reading, about a clip we have watched, or about any other thing we have read or watched in class. You may also pick almost anything else of interest to you (run the topic by me if you have any doubts or questions about it). If you are unsure what to write about, then pick something from the class.

As with all college writing, what you write about is less important than how you write about it, and it is this latter skill we are attempting to master. The most important thing for this assignment is to focus in on a very specific feature of the work you are writing about, hone in on a narrow topic and question it suggests, and provide a strong, refutable claim in answer to it. The point of this exercise is to practice framing narrow questions and topics; making significant, specific, refutable, non-trivial claims about them; and to support those claims with specific bits of textual or detailed evidence.

Have a posible topic picked out for a writing exercise on Friday, September 9th. Bring a rough draft to class for Friday, September 16th. The paper is due Friday, September 23th.